Aline Giaux andTimothée Yannart (countertenor) perform with the sudents of the IMEP’s Early Music department.

Along with harpsichordist Vitor Barbero, Aline presents the beginning of her work studying with Sophie Karthaüser in the new Baroque Studio created by the IMEP in collaboraiton with the CAV&MA in Namur.

Informations supplémentaires à venir

Aline et ses camarades de l’Opéra Studio de L’Opéra Royal de Wallonie présentent leur récital de fin d’année mis en espace par Vincent Dujardin.

Mozart, Donizetti, Verdi, Puccini, Poulenc, entrecoupé
d’extraits littéraires déclamés par Jules-César Murengezi.

Piano: Noémi Biro
Imogen Streul (soprano), Aline Giaux (soprano), Angela Sangeun Kim (soprano) et Jules-César Murengezi (ténor).

Aline will be one of the soloists in this gala performed by the vocal department and the symphony orchestra of the IMEP.

The students of the Opéra Studio (IMEP and Opéra Royal de Wallonie) share the stage with their teacher Patrizia Ciofi.

Aline offre une performance musicale au jeune public du Caméo (Namur) à la fin de l’avant-première du film d’animation pour enfants “Sirocco et le Royaume des courants d’airs”.

Aline and her classmate Angela Sangeun Kim present a selection of arias by Mozart and Rossini to open their academic year as new members of the Opera Studio (partnership between the Opéra Royal de Wallonie and the IMEP).

Aline was awarded joint First Prize for her performance in the A Ramsay Calder Debussy Prize for Voice including The Norma Greig French Song Prize. She and Michal Gajzler (piano) presented a very personal programme connected to poets, composers and themes from her home country, Belgium. The Adjudicator was English soprano Katherine Broderick, who particularly praised Aline’s storytelling and connection with the audience.

Aline joins the RCS Choir for this performance conducted by Andrew Nunn. She is also the cover for the soprano solo.

Duruflé Quatre Motets sur des thèmes grégoriens 

Fauré Cantique de Jean Racine Requiem, Op.48 

Aline and four of her classmates perform a carefully curated collection of baroque vocal music for the RCS’s Mondays at One concert series. The programme includes some favorite solos, duets, and ensembles by Purcell, Bach, Monteverdi, Handel, Lully and Rameau. Piano: Claire Haslin

Aline performs as Soprano Soloist and in the Chorus for BWV 12 ‘Weinen, Klagen, Sorgen, Zagen’, BWV 103 ‘Ihr werdet weinen und heulen’, BWV 101 ‘Nimm von uns, Herr, du treuer Gott’, conducted by Michael Bawtree for the Glasgow Bach Cantata Project. This project is an exciting new venture aimed at bringing the glory of J.S. Bach’s 200 + cantatas to Glasgow. Everyone involved gives their time free of charge: a key objective is to raise funds for Glasgow charities involved in alleviating poverty.

Aline joins the Opernchor Aachen and the Sinfonieorchester Aachen, led by Jori Klomp, for Bach’s B Minor Mass BWV 232 in the Aachen Cathedral as part of the AKZENT BAROCK! series.

Aline joins the Strathendrick Singers as Soprano Soloist for their performance of Fauré’s Requiem and Rutter’s Requiem.

Aline performs as Soloist in Ravel’s “Trois Poèmes de Stéphane Mallarmé”, with a chamber orchestra led by Cameron Burns, paired with a choreography created and performed by the RCS Ballet students.

Aline’s end of year recital at the Royal Conservatoire of Scotland, accompanied by Michal Gajzler (piano), features French, Spanish and Italian songs of love, lust and rebellion.

Aline joins the Voces Desuper chamber choir for a concert celebrating Xavier Deprez’s 30 years of work as the organist of Brussels Cathedral. The concert features some of his latest compositions, including the world première of “L’Eau et le Feu”, specially written for the occasion.

Aline and her classmates from the Royal Conservatoire of Scotland, accompanied by Alexandru Placinta, perform a selection of French Songs in this concert organized by their French Repertoire teacher, Héloïse Bernard. Piano: Alexandru Placinta.

Aline performs the role of Despina (Così fan Tutte) in the Masters Opera Scenes in the Alexander Gibson Opera School at the Royal Conservatoire of Scotland.

Piano: Amy Chang

Director: Linda Ormiston

Aline performs the role of Zima in this production of Rameau’s Les Indes Galantes with Benslow Music. Aline learns to act with baroque gestures in this historically informed production played on baroque instruments.

Aline performs the roles of Atalanta (Serse) and Lucia (The Rape of Lucretia) in the Masters of Performance Opera Scenes at the Royal Conservatoire of Scotland.

Musical director: José Javier Ucendo

Stage director: Nicolette Molnar