Orphée aux enfers
Aline joins the chorus of Theater Aachen for their production of Orphée aux enfers by Offenbach.
La Bohème | Theater Aachen
Aline rejoint le Choeur de Theater Aachen pour la reprise de leur production de La Bohème de Puccini.
Lizst, Dante-Symphonie
Aline is hired by the Choeur de Chambre de Namur to form, joined with the Choeur de Chambre de l’IMEP, the Namur Symphony Choir.
One-Woman Show Baroque
Aline presents her one-woman opera scenes to mark the end of her Master’s in Opera, as member of the Sudio Baroque IMEP.
Singing Summer Camp - Dinant International Music Academy
After teaching at the International Musica Academy in Dinant as an assistant to my former teacher Eunice Arias last year, I've now been invited to open my own singing class at this summer academy that I'm particularly fond of.
I myself took part in these courses with Eunice when I was a teenager, and it remains a wonderful memory on my journey of vocal training. A uniquely eclectic and supportive environment that welcomes all levels and ages, from complete beginners to near-professional conservatory students, everyone is there to support each other and grow together. All musical styles are welcome, and we'll work on your technique, your musicality and your joy in singing with confidence, all according to your needs!
In addition to your singing lessons, you can enroll in another instrument class or choose from one of the many group workshops on offer: stress management, chamber music, orchestra, baroque music, music theory, rhythm, dance...
It is possible (but not compulsory) of getting accommodation with the boarding school rooms of the Collège Notre-Dame de Bellevue (aptly named, with its breathtaking view over the charming town of Dinant). You'll also be able to enjoy some great walks in the area. The school's swimming pool is also accessible, and every evening there are great concerts, movie nights, karaoke, etc. to unwind and make friends!
Playtime and supervision is also provided for younger children.
Please note: I will only be teaching during “week C” from August 11th to August 17th
More info at: https://www.internationalmusicacademy.com/
Li R’vindje di l’Âbe (La revanche de l’arbre) - Patrick Leterme - Choeur de Chambre de Namur
An immense oak intertwines its dazzling and tragic destiny with that of human beings. From Henri Simon’s splendid diptych in Liège Walloon Li Mwért di l’Åbe (1909) and Li R’vindje di l’Åbe (1926), Patrick Leterme draws a choral and symphonic score that brings together young and old, orchestra and choir, professionals and enthusiasts. The show, performed in the regional language, breathes new life into our heritage, singing of life, nature and our roots in our common land.
Composer and musical direction: Patrick Leterme
Direction: Ingrid von Wantoch Rekowski
Stage and costumes: Satu Peltoniemi
Assistante stage & costumes: Sarah Brunori
Lighting: Gérard Maraite
General stage management: Pierre-Antoine Martin
Coordination: Mathieu Roskam
Direction of the Maîtrise de l’Opéra Royal de Wallonie: Véronique Tollet
Executive production: Candide asbl, Chœur de Chambre de Namur, Maîtrise de l’Opéra Royal de Wallonie, Candide Orchestra, Akro Percu, Fanfare musicians
Production : PBA Charleroi in coproduction with CAV&MA, Festivals de Wallonie. Partners : Opéra de Wallonie, Société de langue et littérature wallone, Label Cyprès
Belgian tour dates to be confirmed
Opéra Paris - Ercole Amante - Antonia Bembo
Aline will be performing as a member of the Choeur de Chambre de Namur in this production with the Paris National Opera.
Eight years after the success of Les Indes galantes, conductor Leonardo García Alarcón returns to the Paris Opera with a gem: a score by Antonia Bembo, an 18th century composer whose tumultuous life resembles a novel.
Fleeing a violent husband, this Venetian sought refuge at the court of Louis XIV, where she received the king’s protection. It was in France that she forged a personal style, straddling Italian and French culture, before composing her opera Ercole amante in 1707, based on the libretto previously used by her master Francesco Cavalli.
Never before staged, this Hercules in love, marked by harmonic originality and outstanding vocal virtuosity, is making its repertoire debut at the Paris Opera.
Netia Jones explores the baroque work, full of gods and supernatural elements, and reveals its modernity: that of a powerful but ageing man incapable of accepting a woman’s refusal to consent.
Creative team
Leonardo García Alarcón - Conductor
Netia Jones - Direction, set, costume design, video
Fabiana Piccioli - Lighting design
Maud Le Pladec - Choreographer
Fabian Schofrin - Dramaturgy
Thibaut Lenaerts - Chorus master of the Chœur de chambre de Namur
Distribution
Andreas Wolf Ercole
Julie Fuchs Giunone
Ana Vieira Leite Iole
Deepa Johnny Dejanira
Marcel Beekman Licco
Alasdair Kent Hyllo
Sandrine Piau Venere, Bellezza
Théo Imart Paggio
Teona Todua Pasithea
Alex Rosen Nettuno, L'Ombra di Eutyro
Baroque Christmas
Aline Giaux andTimothée Yannart (countertenor) perform with the sudents of the IMEP’s Early Music department.
Fanny and Alexander - Mikael Karlsson
Aline is the vocal coach for the 3 young soloists playing the title roles in the creation of this new opera by Mikael Karlsson.
Studio Baroque: Opening Concert
Along with harpsichordist Vitor Barbero, Aline presents the beginning of her work studying with Sophie Karthaüser in the new Baroque Studio created by the IMEP in collaboraiton with the CAV&MA in Namur.
Opéra Studio Recital
Informations supplémentaires à venir
Aline et ses camarades de l’Opéra Studio de L’Opéra Royal de Wallonie présentent leur récital de fin d’année mis en espace par Vincent Dujardin.
Mozart, Donizetti, Verdi, Puccini, Poulenc, entrecoupé
d’extraits littéraires déclamés par Jules-César Murengezi.
Piano: Noémi Biro
Imogen Streul (soprano), Aline Giaux (soprano), Angela Sangeun Kim (soprano) et Jules-César Murengezi (ténor).
Patiente, mon cœur - Lionel Polis | Opéra Royal de Wallonie
Aline makes her professional debut as an opera soloist, singing the role of Joliette in this new participative opera by Lionel Polis on the stage of the Opéra Royal de Wallonie (Liège).
Baroque dansé, baroque sacré
Aline will sing solo in Vivaldi’s Gloria and Magnificat RV 610, with the Terra Nova choir at the Musical Abbey of Malonne.
Puccini and Smetana Gala
Aline will be one of the soloists in this gala performed by the vocal department and the symphony orchestra of the IMEP.
Carmen | Theater Aachen
Aline joins the Chorus for Theater Aachen’s production of Bizet’s Carmen.
Opéra Studio Recital with Patrizia Ciofi
The students of the Opéra Studio (IMEP and Opéra Royal de Wallonie) share the stage with their teacher Patrizia Ciofi.
Concours International d'Art Lyrique de Namur
Aline takes part in the Concours International d’Art Lyrique de Namur, an opera competition based in Namur.
Mini Cinema Concert
Aline offre une performance musicale au jeune public du Caméo (Namur) à la fin de l’avant-première du film d’animation pour enfants “Sirocco et le Royaume des courants d’airs”.
La Bohème | Theater Aachen
Aline joins the Chorus for Theater Aachen’s production of Puccini’s La Bohème.
Conductor: Christopher Ward
Director: Blanka Rádóczy
Opera Studio Concert
Aline and her classmate Angela Sangeun Kim present a selection of arias by Mozart and Rossini to open their academic year as new members of the Opera Studio (partnership between the Opéra Royal de Wallonie and the IMEP).
Opera Scenes | RCS
Aline performs the roles of Adina (L'elisir d'amore), Sophie (Werther), and the Dew Fairy (Hänsel und Gretel), as well as the spoken role of Puck (A Midusmmer Night’s Dream) for her Masters of Performance Opera Scenes at the Royal Conservatoire of Scotland.
Musical director: Cameron Burns
Stage director: Edwina Strobl
A Ramsay Calder Debussy Prize for Voice | RCS
Aline was awarded joint First Prize for her performance in the A Ramsay Calder Debussy Prize for Voice including The Norma Greig French Song Prize. She and Michal Gajzler (piano) presented a very personal programme connected to poets, composers and themes from her home country, Belgium. The Adjudicator was English soprano Katherine Broderick, who particularly praised Aline’s storytelling and connection with the audience.
Fauré's Requiem | RCS Choir
Aline joins the RCS Choir for this performance conducted by Andrew Nunn. She is also the cover for the soprano solo.
Duruflé Quatre Motets sur des thèmes grégoriens
Fauré Cantique de Jean Racine Requiem, Op.48
Mondays at One | RCS
Aline and four of her classmates perform a carefully curated collection of baroque vocal music for the RCS’s Mondays at One concert series. The programme includes some favorite solos, duets, and ensembles by Purcell, Bach, Monteverdi, Handel, Lully and Rameau. Piano: Claire Haslin
Bach Cantatas | Glasgow Bach Cantata Project
Aline performs as Soprano Soloist and in the Chorus for BWV 12 ‘Weinen, Klagen, Sorgen, Zagen’, BWV 103 ‘Ihr werdet weinen und heulen’, BWV 101 ‘Nimm von uns, Herr, du treuer Gott’, conducted by Michael Bawtree for the Glasgow Bach Cantata Project. This project is an exciting new venture aimed at bringing the glory of J.S. Bach’s 200 + cantatas to Glasgow. Everyone involved gives their time free of charge: a key objective is to raise funds for Glasgow charities involved in alleviating poverty.
Domkonzert | Theater Aachen
Aline joins the Opernchor Aachen and the Sinfonieorchester Aachen, led by Jori Klomp, for Bach’s B Minor Mass BWV 232 in the Aachen Cathedral as part of the AKZENT BAROCK! series.
Fauré & Rutter Requiem | Strathendrick Singers
Aline joins the Strathendrick Singers as Soprano Soloist for their performance of Fauré’s Requiem and Rutter’s Requiem.
Il trittico | Scottish Opera
Aline joins the Chorus for Scottish Opera’s production of Puccini’s Il trittico, more specifically as a nun in Suor Angelica.
Performances at 6pm on 11, 15 & 18 March at the Glasgow Theatre Royal; on 22 & 25 March in the Edinburgh Festival Theatre.
Conductor: Stuart Stratford
Director: Sir David McVicar
L'Étoile | RCS
Aline sings and dances in the chorus of Charbier’s opéra bouffe “L’Etoile”, with soloists from the RCS’s Alexander Gibson Opera School.
RCS orchestra led by Philippe Forget.
Director: PJ Harris
“The large chorus had some standout set piece moments with impressive singing whilst capering about, the sinister dark glasses of the black suited palace guards contrasting with the sashaying Ouf-ette girls and colourful star themed costumes. “ – Bachtrack
An Evening of Ballet and Song | RCS
Aline performs as Soloist in Ravel’s “Trois Poèmes de Stéphane Mallarmé”, with a chamber orchestra led by Cameron Burns, paired with a choreography created and performed by the RCS Ballet students.
Song Recital: Je choisis ce jeu-là
Aline’s end of year recital at the Royal Conservatoire of Scotland, accompanied by Michal Gajzler (piano), features French, Spanish and Italian songs of love, lust and rebellion.
Le vent souffle où il veut - Xavier Deprez
Aline joins the Voces Desuper chamber choir for a concert celebrating Xavier Deprez’s 30 years of work as the organist of Brussels Cathedral. The concert features some of his latest compositions, including the world première of “L’Eau et le Feu”, specially written for the occasion.
An Evening of French Song
Aline and her classmates from the Royal Conservatoire of Scotland, accompanied by Alexandru Placinta, perform a selection of French Songs in this concert organized by their French Repertoire teacher, Héloïse Bernard. Piano: Alexandru Placinta.
Masters Opera Scenes | RCS
Aline performs the role of Despina (Così fan Tutte) in the Masters Opera Scenes in the Alexander Gibson Opera School at the Royal Conservatoire of Scotland.
Piano: Amy Chang
Director: Linda Ormiston
Les Indes Galantes, Rameau | Benslow Music
Aline performs the role of Zima in this production of Rameau’s Les Indes Galantes with Benslow Music. Aline learns to act with baroque gestures in this historically informed production played on baroque instruments.
Masters Opera Scenes | RCS
Aline performs the roles of Atalanta (Serse) and Lucia (The Rape of Lucretia) in the Masters of Performance Opera Scenes at the Royal Conservatoire of Scotland.
Musical director: José Javier Ucendo
Stage director: Nicolette Molnar